a platform to support.

lately, footwear has really been commanding my attention.  the choice type has been platforms platforms platforms.  i can't seem to get enough of the chunky footwear to the point that every shoe that isn't around 4 inches high isn't really up to snuff for me.

upon my return from australia, i was finally being able to snag a pair from the pierre hardy x gap s/s10 collaboration:::

with tintorella socks, grey ant dress

so just when the new pierre hardy x gap a/w10 collaboration is finally about to come out with yet another pair of beautiful neutral toned platform wedges in october, nyfw gives me yet another reason to support the platform of well, platforms!

suno x loeffler randall photos from http://blog.loefflerrandall.com/

i'm really enjoying the towering heights so hopefully this obsession can hold through winter.  however, these platforms by loeffler randall for suno have recently underlined the fact that i'll most definitely still be sporting platforms well into 2011.  i'm having a hard time figuring out which delightful print covered wedge to pick; though, come february, i'll be stalking the opening ceremony and loeffler randall webpages for these curved beauties.

a platform i can fully support.

cross-training.

gael monfils and karlie kloss in vogue october 2009 "french open"

oftentimes, nationality is great issue of pride -especially on such a visible playing field, so to speak.  naturally, outward appearances are highly regarded and scrutinized [think: the dozens of spreads involving national team get-ups, and i really do mean get-up, for the most recent olympics opening ceremonies].  looks, colors, symbols and names are all a major aspect of the commitment and confidence of players and fans.

having attended university in a town where wearing a jersey or some other aspect of sports paraphernalia is considered "on trend," this pleasantry with and everyday acceptance of supporters for their teams always seemed like a cop-out in the what to wear department of the everyday. however, as the calm uruguayan ensemble strides alongside the neon-glo decked out dutch kit came to my realization that perhaps there is some semblance of structural bliss and stylistic nuance in the athletic uniform.

i decided to do some research to find out what kind of platform this fashionable perfomance wear this could be OR whether there were more to the uniforms of the multitudinous sports teams than just a color, advertisement, and insignia.  in other words, i decided to actually excavate the colors, meanings, and structures of the shirts/shorts/pants/skorts to see if there were more relevance between fashion+design and athletic uniforms.

take, for instance, the australian athletic colors -the "green and gold-" have no relevance to their flag; but, they have come to stand for even more than just athletics as a color scheme when paired together.  though many athletic teams strive to have a tough mascot or a daunting nickname, this green and gold that can only signify one thing for many people, australian citizen or not, apparently symbolizes the colors of their floral emblem, the golden wattle.  more than a galvanizing name [ie, cameroon: the indomitable lions], it is the colors that australian players and fans take pride in; it is these visual aspects of the team that perpetuate athletics and cause people to keep an eye for the jerseys, kits, and caps of their favorite teams.

pantone 116Cand pantone 348C

due to the impending [now played...this post is going up late :( ] world cup finals, i recently had some musings involving the crossing of platforms between the sports and fashion worlds.  we see all sorts of connections between these different realms of culture including photo-spreads and spokesperson contract extended to sports stars, like the example above with gael monfils gracing the pages of us vogue last fall and sports themed high-fashion editorials.  however, as evidenced by recent collections, the sports world has left more of a mark than simply fit bodies and roguish good looks.

a new york times fashion and style article from wednesday discusses the very question of the branding and modeling crossover roles that many stars [in particular soccer stars] tend to accept and the amount of brands who use these familiar faces -and bodies-for representation. conversely, many magazines,stylists, and photographers choose to use sports as a theme of editorial spreads.  we often see the juxtaposition of "tough" and disciplined athletic garb, form and function executed by supermodels.

furthermore, many influential brands and design houses choose to become synonymous with their home country and strive to create iconic pieces, uniforms, and goods especially for their national teams.  dolce & gabbana's sartorial support of the italian  soccer team, fifa's commission of louis vuitton design services in trunk form, and ralph lauren's overzealous polo customization for the usa 2010 winter olympic squad all come to mind...

which brings me to my final thought spurred by the ss2010 runway seasons from both alexandre herchcovitch and alexander wang of the inspiration which actual athletic uniforms and equipment lend to the high fashion world.

herchcovitch, in an interview published on his website gives this statement in regards to his choice of sporting gear as inspiration:::

       <> (from his website)

all above photos from alexandre herchovitch ss2010

i'll leave you with alexander wang's iconic jersey, sheers, and leather layers with the faint hint of the structure of past american football uniforms and headgear...  elegantly layered and structured with a clear idea of using these shapes to accentuate the feminine form:::

     

perfection-ary confectionery

as its amsterdam international fashion week and i am nowhere near -but have increasingly become obsessed with benelux/northern european emergences...

the confectionery pleasures of elsien gringhuis displayed after this first day of amsterdam catwalks ss10 have truly tempted me. not only has gringhuis kept her flow of separates at a level of diversity and wearability that reaches to the public with all sorts of personal style aesthetics, but she has kept the collection recognizable. the silhouettes stay constant to the themes that she has shown in the past, but with a softer and sweeter facade. gringhuis, who won the hema (a belgian retail organisation) sustainable design competition in the fashion category for 2008 and the createurope best avantgarde design for 2008 (their first year of competition), is a still relatively recent graduate of arnhem academy of art and design in the netherlands. a dutch school that generally produces interesting, solid graduate collections.

i really adore the collection's avoidance of true, bright colors as the pieces lend themselves well to molding and creating defined silhouettes stylistically speaking. sorry for the alliteration! but honestly, the slightly "ladies who lunch" feel of the collection with the to-the-elbow debutante gloves (which i could absolutely argue are the best everyday choice of gloves. ever.) and the color palette is so accessible and pliable for all types of buyers and consumers. a delightfully simple but fun collection all in all.

photos courtesy of team peter stigter

perhaps i will find myself requestion mum to let me dust off those very debutante gloves and getting to square shapes of cropped jackets and shift dresses for this coming spring/summer (which where i am isn't too far off now...)

in other news, posting will again pick up, as i have found a new place on which to ground myself...hints on where in the world that may be to follow....