Thursday, July 23

perfection-ary confectionery

as its amsterdam international fashion week and i am nowhere near -but have increasingly become obsessed with benelux/northern european emergences...

the confectionery pleasures of elsien gringhuis displayed after this first day of amsterdam catwalks ss10 have truly tempted me. not only has gringhuis kept her flow of separates at a level of diversity and wearability that reaches to the public with all sorts of personal style aesthetics, but she has kept the collection recognizable. the silhouettes stay constant to the themes that she has shown in the past, but with a softer and sweeter facade. gringhuis, who won the hema (a belgian retail organisation) sustainable design competition in the fashion category for 2008 and the createurope best avantgarde design for 2008 (their first year of competition), is a still relatively recent graduate of arnhem academy of art and design in the netherlands. a dutch school that generally produces interesting, solid graduate collections.

i really adore the collection's avoidance of true, bright colors as the pieces lend themselves well to molding and creating defined silhouettes stylistically speaking. sorry for the alliteration! but honestly, the slightly "ladies who lunch" feel of the collection with the to-the-elbow debutante gloves (which i could absolutely argue are the best everyday choice of gloves. ever.) and the color palette is so accessible and pliable for all types of buyers and consumers. a delightfully simple but fun collection all in all.







photos courtesy of team peter stigter

perhaps i will find myself requestion mum to let me dust off those very debutante gloves and getting to square shapes of cropped jackets and shift dresses for this coming spring/summer (which where i am isn't too far off now...)

in other news, posting will again pick up, as i have found a new place on which to ground myself...hints on where in the world that may be to follow....

Wednesday, June 24

the long goodbye.


to borrow from the altman film noir classic in title only -don't be fooled, this post has nothing to do with tijuana or private detectives.

it goes more like this:::

leaving has been a long process for me thus far.
clocking in at just over three weeks in south carolina i have lately been trying to develop lists of things i'd like to do before leaving again. the list is something that i can remember since i was
smaller. i have always felt that making a list is a great security for all occasions::: to get tasks done that need doing before something else occurs, to reassure against possible memory failings, to make desires and ideas known...

therefore, i have been compiling a list of truly stereotypical "americanisms" to do before i leave the south. in asking the boy what i thought were some tried and true american things to him (being of another nationality), he replied with that of course hamburgers, hot dogs, french fries and pizza were. naturally, these were some of the first things i wrote down on my list. realism was really my goal for the fulfillment and creation of this list. until now, i had only been capable of crossing off "apple pie," "watch college baseball game on a tv in a bar that serves bud light on tap and in bottles" and "pizza."

however, today mum strolled into the house while i was in the throes of viewing la dolce vita -yes the powerful, beautiful, and profound fellini masterpiece (ahhhhhh the costumes! sigh for the embellished flower-petal-like collared capes at the aristocrats in the countryside party and nico, period) only to plop down these on the table in front of me...


like a blast from that self-same childhood past where my obsession with lists is rooted, rush's fast food made its way back into my memory. i'm not here to suggest that you should know what rush's is or that i'm overly sentimental about a fast-food restaurant. the chain is a local to my city in south carolina restaurant and the only things i can really have anymore due to the vegetarian diet are the perfectly salted and crispy french fries and the delightfully (still) handmade chocolate milkshakes. behold. but, it used to be a favorite indulgent after-school snack on an occasional friday in mum's old van.

so, i snapped a picture of the midafternoon lunch/snack because in all honesty, how awesome are those graphics? unlike so many other brands, restaurants, and stores rush's has stuck to the same graphics they've used since probably the 1960's and personally, i'm a fan. besides who doesn't love a motto like "fabulous food...fast." essentially i'm honored that mum surprised me with rush's as a way to help me check off two more things "chocolate milkshake" and "french fries" on my most recent of lists.

enjoy!

to check out a beautiful advertisement from the '90s, direct yourself to rush's homepage here.

Monday, June 22

faking it.

i know i know. corny title.

but, border community artist, nathan fake's newest album hard islands has left me quite speechless.



as border community is a label that really generally does not disappoint -fake's newest release kept with the label's trend of interesting and distinct sounds. not only a departure from the comfortable and fun listener@home type of album, this album begs for listeners with an ear -and a will- for a night out. that is, it begs if you can sit down for a touch longer than half an hour (around 33 minutes to be more exact) to hear some delightfully dark beats/tunes/whistles from fake's second "mini" lp. fake has clearly changed gears a bit since his last release drowning in a sea of love, which was much prettier, lighter and playful. drowning gets played from my tunes when i need something in the category of 'play for a good time with a small-ish group of folks' -electronic lovers or otherwise.

however, hard islands is more unique, less non-electronic music lover friendly and a fantastic experiment in blips, drums, and loops (or to borrow from a friend: bleeps, bloops, and thuds). the inclusion of a little flitting (keyword) break-up in the form of 1:17 minute long "the curlew" is an interesting move due to the intense buildup formation of the following track "narrier." essentially, i'm in love with the structure, sound, and synthesis of this album from fake. i wish it was longer only for selfishly personal listening desires...the album is compact and well done as is.

personally, half an hour of fresh sounds played whilst running errands, unpacking lives, or just internet researching-out makes each of my most recent day-to-day tasks more akin to those delightful listening nights out that i'm currently missing here at home. i've been pumping hard islands at all hours for a jostle of energy, a reminisce of bygone nights, and everything else it could possibly inspire...

to check out a quick interview with nathan fake on beatportal, direct yourself here.

to listen to hard islands on juno download, direct yourself here.

Wednesday, June 17

still coming. #iran elections.



just a little more information in video form. let me warn you though, it is a bit sad and slightly graphic.

Tuesday, June 16

news flash: #iran elections. lucky us.


(photo courtesy of the bbc)

with khomeini's speech to the iranian people over, one only has to wonder -as the article from the bbc where this photo appears does- whether the protests and rallies **edit::: the largest protests since the 1979 revolution** will be strong enough and ongoing for the authorities to respond in the appropriate and reasonable way. if not, human rights issues would be wholly multiplied by this once power-flex of the ruling iranian government.

as i was performing chauffeur duties for my mum today, the waiting in the car consisted of sudoku and npr listening. one of my favorite programs, the takeaway, was on and brought up an important example of the issues involving human rights injustices which are currently being thrust and reinforced on the iranian voters. if you'd like to listen to the segment direct yourself here.

basically, it seems unimaginable that i can be sitting here blogging away, whilst simultaneously chatting with friends in other places via gmail, and watching the season five premiere of weeds and there have been sanctions on basic internet viewing in that modern country. sanctions on internet via servers and proxy disabling (like the "iran elections" twitter blockage from within the country), internet outages, cell phone network outages, the list can go on. what a way to show how much you care about your people than to not let them have a voice when the entire world is watching. the npr program seemed to suggest that these internet shutdowns are in part due to the overwhelming amount of live coverage that has been happening from the people who are involved. youtube, twitter, facebook, online news sources. everywhere is talking about it.

all this in fact has finally spurred me to join twitter after months of holding out for a good reason to present itself. i joined in order to be able to find and follow these live, primary sources. finally, a good reason for a program that i couldn't justify for "up-to-the-minute" social networking until now. one of the people i have found that is a student who is, dangerously i might add, updating about the iranian state tv programs that are being broadcast, the khomeini speech, student protests, etc can be found by pointing your dial here.

finally, if you are, as i am, a more visually stimulated person the huffington post has a startling slideshow and interesting updates on the state of the tehran.

my eyes will be glued. hopefully, good things will come from all these efforts and the votes will be found and counted. fairly.